Tuesday, February 5, 2013

FreedomPop expanding free LTE service to tablets

DNP FreedomPop expanding free LTE service to tabletsForbes is reporting that FreedomPop, the gratis wireless broadband startup, is planning to release a 4G device designed specifically for tablets. The company's "LTE Clip" will attach to an iPad or Android tablet and transform WiFi-only devices into 4G-capable hotspots (so long as you're in an area with Sprint service). Weighing in at 2.5 ounces, the Clip will act as a mobile hotspot, supporting eight connected devices with up to six hours of battery life. Similar to its current model, FreedomPop will reportedly spot up to 500MB of data for free each month, with the ability to raise the cap via a paid add-on package or by using credits earned for inviting friends to join the service. We have yet to receive direct confirmation from the company, but Forbes suggests that we'll see the LTE Clip in the latter half of 2013 -- until then, it may be worth checking out the rest of the FreedomPop lineup.

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Source: Forbes

Source: http://www.engadget.com/2013/02/04/freedompop-expanding-free-lte-service-to-tablets/

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People of Timbuktu save manuscripts from invaders

TIMBUKTU, Mali (AP) ? For eight days after the Islamists set fire to one of the world's most precious collections of ancient manuscripts, the alarm inside the building blared. It was an eerie, repetitive beeping, a cry from the innards of the injured library that echoed around the world.

The al-Qaida-linked extremists who ransacked the institute wanted to deal a final blow to Mali, whose northern half they had held for 10 months before retreating in the face of a French-led military advance. They also wanted to deal a blow to the world, especially France, whose capital houses the headquarters of UNESCO, the organization which recognized and elevated Timbuktu's monuments to its list of World Heritage sites.

So as they left, they torched the Ahmed Baba Institute of Higher Learning and Islamic Research, aiming to destroy a heritage of 30,000 manuscripts that date back to the 13th century.

"These manuscripts are our identity," said Abdoulaye Cisse, the library's acting director. "It's through these manuscripts that we have been able to reconstruct our own history, the history of Africa . People think that our history is only oral, not written. What proves that we had a written history are these documents."

The first people who spotted the column of black smoke on Jan. 23 were the residents whose homes surround the library, and they ran to tell the center's employees. The bookbinders, manuscript restorers and security guards who work for the institute broke down and cried.

Just about the only person who didn't was Cisse, the acting director, who for months had harbored a secret. Starting last year, he and a handful of associates had conspired to save the documents so crucial to this 1,000-year-old town.

In April, when the rebels preaching a radical version of Islam first rolled into this city swirling with sand, the institute was in the process of moving its collection into a new, state-of-the-art building. The fighters commandeered the new center, turning it into a dormitory for one of their units of foreign fighters, Cisse said. They didn't realize only about 2,000 manuscripts had been moved there, the bulk of the collection remaining at the old library, he said.

The Islamists came in, as they did in Afghanistan, with their own, severe interpretation of Islam, intent on rooting out what they saw as the veneration of idols instead of the pure worship of Allah. During their 10-month-rule, they eviscerated much of the identity of this storied city, starting with the mausoleums of their saints, which were reduced to rubble.

The turbaned fighters made women hide their faces and blotted out their images on billboards. They closed hair salons, banned makeup and forbade the music for which Mali is known.

Their final act before leaving was to go through the exhibition room in the institute, as well as the whitewashed laboratory used to restore the age-old parchments. They grabbed the books they found and burned them.

However, they didn't bother searching the old building, where an elderly man named Abba Alhadi has spent 40 of his 72 years on earth taking care of rare manuscripts. The illiterate old man, who walks with a cane and looks like a character from the Bible, was the perfect foil for the Islamists. They wrongly assumed that the city's European-educated elite would be the ones trying to save the manuscripts, he said.

So last August, Alhadi began stuffing the thousands of books into empty rice and millet sacks.

At night, he loaded the millet sacks onto the type of trolley used to cart boxes of vegetables to the market. He pushed them across town and piled them into a lorry and onto the backs of motorcycles, which drove them to the banks of the Niger River.

From there, they floated down to the central Malian town of Mopti in a pinasse, a narrow, canoe-like boat. Then cars drove them from Mopti, the first government-controlled town, to Mali's capital, Bamako, over 600 miles (1,000 kilometers) from here.

"I have spent my life protecting these manuscripts. This has been my life's work. And I had to come to terms with the fact that I could no longer protect them here," said Alhadi. "It hurt me deeply to see them go, but I took strength knowing that they were being sent to a safe place."

It took two weeks in all to spirit out the bulk of the collection, around 28,000 texts housed in the old building covering the subjects of theology, astronomy, geography and more.

There was nothing they could do, however, for the 2,000 documents that had already been transferred to the new library, to its exhibition and restoration rooms, and to a basement vault. Cisse took solace knowing that most of the texts in the new library had been digitized.

Even so, when his staff came to tell him about the fire, he felt a constriction in his chest.

The new library is housed inside a modern building, whose sheer walls are made to resemble the mud-walled homes of Timbuktu. Cisse braved his fear to slip through the back gate on the morning of Jan. 24.

The alarm was still screaming. The empty manuscript boxes were strewn on the ground outside in the brick courtyard. All that was left of the books was a soft, feathery ash.

Cisse then entered the library. The glass cases in the exhibit room were empty. So was the manuscript restoration lab, its white tables blanketed in dust. The manuscripts left out were gone.

But the librarian knew the bulk of the books was in a storage room in the basement. With the alarm still screaming, he walked down the flight of pitch-black stairs.

The room had been locked shut. And he was too afraid to open it, because the mayor of Timbuktu had warned residents that the retreating rebels had mined the town and booby-trapped strategic buildings.

So he waited.

On Jan. 28, a column of more than 600 French troops rolled into the city.

The same day, they came to inspect the institute. They spraypainted in pink the word "OK" in front of each room they cleared, working their way to the basement. They pummeled the locked door. When the door slapped open, Cisse felt as if his chest was about to explode.

They beamed a flashlight into the darkness. In the pools of light, he made out the little bundles of parchments sitting on the rafters. They were where they had left them nearly a year ago, in a room the Islamists had never discovered.

The director-general of UNESCO toured the damaged library this weekend, alongside French President Francois Hollande, who made a triumphant visit to Timbuktu. She described the manuscripts as a global treasure. "They are part of our world heritage," said Irina Bokova. "They are important for all of Africa, as well as for all of the world."

Cisse estimates that what was lost in the end is less than 5 percent of the Ahmed Baba collection. Which texts were burned is not yet known.

He stresses that all the manuscripts, which date back over 700 years, are irreplaceable. They are hand-written in a variety of scripts, and include ornate illustrations embedded within the text.

The collection is itself only a portion of the estimated 101,820 manuscripts stored in private libraries here, the product of the confluence of caravan routes which passed through Timbuktu and fostered an extensive trading network, including in books. Among the most valuable are the Tarikh al-Sudan and the Tarikh al-Fattash, chronicles which describe life in Timbuktu during the Songhai empire in the 16th century.

"We lost a lot of our riches. But we were also able to save a great deal of our riches, and for that I am overcome with joy," Cisse said. "These manuscripts represent who we are.... I saved these books in the name of Timbuktu first, because I am from Timbuktu. . Then I did it for my country. And also for all of humanity. Because knowledge is for all of humanity."

___

Rukmini Callimachi can be reached at www.twitter.com/rcallimachi.

Source: http://news.yahoo.com/people-timbuktu-save-manuscripts-invaders-234557515.html

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Streaming Music, Live Show Ticketing and Music Industry News ...

Artists and music industry leaders discussed the state of royalties from streaming services this past week. And AEG was investigated for fair trade violations surrounding ticketing in the United Kingdom. Also, artist manager, music-industry executive and international consultant Jeff Rabhan made some detailed predictions about the future of the music industry.

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Artists Streaming Royalties Still Paltry

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Fans, artists and music industry entrepreneurs weighed in about streaming services like Spotify, Pandora and even YouTube in an article published in The New York Times. Together, they painted a picture of how streaming services are really reshaping the overall landscape.

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Spotify began nearly five years ago in Sweden and has been seen by many of the future of digital music. Sam Broe, a music fan from Brooklyn, was one of the first to sign up when it hit the U.S. in the summer of 2011. Broe said that using Spotify?s premium service has helped cut his monthly music budget from $30 to $10:? ?The only time I download anything on iTunes is in the rare case that I can?t find it on Spotify.?

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Spotify, Pandora and YouTube have caused excitement within the ever-digitizing industry, which continues to struggle with piracy issues. However, even as digital companies explode into multi-billion-dollar entities, meager royalties have caused artists and others to worry about their livelihood.

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Indie cellist Zoe Keating illustrated what streaming is actually earning for artists in 2012. She posted spreadsheets to her Tumblr blog that explicitly showed the royalties she earns from different music services, all the way down to the ten-thousandth of a cent. After her songs had been played over 1.5 million times on Pandora over six months, she earned $1,652.74. And on Spotify, 131,000 plays earned her $547.71, about .42 cents per listen.

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She stated, ?In certain types of music, like classical or jazz, we are condemning them to poverty if this is going to be the only way people consume music.?

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However, low streaming music royalties only continue to reinforce the music industry transformation that has been in progress for decades. Record royalties have been a fraction of the sale price since the age of 78 r.p.m. records. And services like iTunes have only brought artists 7-10 cents after retailers, record companies and songwriters take their cut, giving birth to the industry term ?a river of nickels.? But streaming has turned nickels into micropennies. ?

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Will these micropennies ever add up? Chief executive of BMG Rights Management Hartwig Masuch says that only those artists who are aggressive about playing live shows will ever be able to be successful professional musicians.

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However, Spotify board member, co-creator of Napster and former Facebook president Sean Parker said he believes that Spotify will one day get enough paying subscribers to help bring the industry back to the lucrative days before his company Napster began to change everything:? ?I believe that Spotify is the company that will make it succeed ? It?s the right model if you want to build the pot of money back up to where t was in the late ?90s, when the industry was at its peak. This is the only model that?s going to get you there.?

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For mega pop artists, streams of hits have actually been providing significant revenue. A Google executive said that Psy?s ?Gangnam Style? earned $8 million from YouTube when it was watched 1.2 billion times. However, most artists do not go viral.

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Also, each service pays a different rate. Pandora?s, for example, are set by Copyright Law. And while Spotify did not officially confirm its rates, many executives who have worked closely with the company said it pays about .5 ? .7 cents per stream ($5,000 ? $7,000 per million plays) under its paid service and often 90 percent less for plays under its free service. And despite the fact that Pandora and Spotify have grown sharply in value, they still have not added significantly to the American industry?s $7 billion-per-year revenue. Downloads from iTunes and others made $2.6 billion in sales in 2011.

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Cliff Burnstein, owner of the company that manages Metallica said that as long as paid subscriptions keep going up, there is still hope for streaming services to make a positive impact:? ?There is a point at which there could be 100 percent cannibalization, and we could make more money through subscription services.? The point is estimated to be at about 20 million subscribers worldwide. ?

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Top industry lawyer Donald S. Passman, author of All You Need to Know about the Music Business said that royalty rates will go up for artists in the same way they have every time new technologies hit the industry:? ?Artists didn?t make big money from CDs when they were introduced either ? They were a specialty thing, and had a lower royalty rate. Then, as it has become mainstream, the royalties went up. And that?s what will happen here.?

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AEG Struggling against Monopoly Claims in the UK

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AEG and Live Nation are in a battle for control over Hyde Park, Wembley Arena, the Olympic Stadium and several of London?s other biggest venues, said an article in The Guardian. As a result, AEG is being investigated by the authorities and accused of raising ticket prices and giving fans few choices when it comes to buying tickets to see big acts.

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The live music market has been taken over by U.S. companies Live Nation and AEG. In 2012, Live Nation coordinated ticket sales for tours by Bruce Springsteen and Coldplay. While Live Nation recently took over the rights to shows at the Olympic stadium in East London, AEG has managed to snag exclusive rights to other huge venues like London?s 02 Arena, Caesar?s Palace?s The Colosseum in Las Vegas and many festivals, such as Coachella. AEG also owns LA Galaxy and is an L.A. Lakers investor.

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But it was AEG?s recent ability to take over Wembley Arena, which had been controlled by Live Nation for seven years that set off alarms. The Office of Fair Trading (OFT) started officially investigating AEG in early January, concerned that the Wembley deal in particular might lead to a ?substantial lessening of competition? within the live music industry of London.

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A regulator decided in 2000 that Live Nation and Gaiety Investments needed to get rid of Hammersmith Apollo and The Forum before they could buy into Academy Music Group. One music industry source said AEG is facing a similar problem:? ?If AEG have control of the management of the two biggest venues there is of course the issue that they could look to impose ticket price increases, and exert more control over the artists and types of events.?

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A Live Nation insider claimed that the company is grabbing venues to keep up with the ever-increasing demand for live music:? ?Live Nation is in favour of anything that promotes competition, choice and access to different music genres for audiences, not just in London, but across the UK ? The company is committed to meeting that demand in 2013, including in the Olympic Park.?

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Paul Bedford, the head of live events at a company that has helped set up festivals such as Creamfields and Field Day in Victoria Park said small ticketers will be critical to keeping live music alive in the UK:? ?It would be a crying shame for everyone if all the parks and key venues put out contracts to just one operator. Smaller, independent players are like indie record labels, fleet of foot [compared] to the major companies and essential for discovering new talent.?

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Jeff Rabhan, on the Future of the Music Industry

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Jeff Rabhan weighed in about what the future will hold for the music industry in a guest post in the ReverbNation blog. As an artist manager, music industry executive, international consultant and Chair of the Clive Davis Department of Recorded Music at NYU?s Tisch School of the Arts, he discussed what the climate could look like in the next few years for those looking to make careers for themselves in the business, which has changed more in the last ten years than it has in the previous 50. He explored four key areas:? record labels; live shows; radio; licensing.

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In terms of major record labels, Rabhan believes their rosters will shrink significantly, and they will shift focus to only acts that are a fit for radio. Labels will likely specialize in certain genres of music:? ?Imagine a Sony Music that only releases female pop records like Beyonce, Adele, and Shakira. Or an Interscope that becomes a hip-hop only label.? And this will open up the playing field for independent labels, who have already started grabbing more of the marketplace. They earned 32.6 percent of U.S. album sales in 2012, according to Soundscan.

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And a ?catchy song? will not be enough anymore to attract label attention. Artists will be responsible for building an interesting story for themselves that will appeal. Rabhan advised artists that are still looking for a record deal:? ?Continue to think global but start by acting local. Take a look at the labels in your area that may be a good fit first and truly assess if you belong on a major label. Chances are you don?t in the new world.?

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Rabhan also said that live music will start moving towards the online environment. Mega artists are currently making most of their money off concerts and brand partnerships. And the way fans and artists perform live is already changing. Most are buying tickets to shows online, causing the death of hard ticket stubs.

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And the fan experience is also changing significantly. Fans are not seeking the live experience at large arena and stadium shows anymore. Instead, they are flocking to online ?venues,? watching festivals like Lollapalooza and Coachella as they stream live on YouTube and attending personal artists? online performances. ?
Rabhan predicted that streaming concerts will continue to grow, especially for arena shows, because fans ?would rather enjoy the show in the privacy and comfort of their own home and ? because it gives artists another income stream.?

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This means artists need to get comfortable with technology:? ?Posting flyers to get the word out and making tickets available only at the venue hurts your chances of reaching maximum fan potential. Work with your venue to sell tickets online or experiment with streaming shows for a small fee either live or after the fact. Get creative with your YouTube channel and make live content a bigger part of your fan experience.?

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Even though terrestrial radio is still the top way people discover music, that situation could already be changing. But is local radio or Internet radio/streaming a better option for artists?

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The Internet Radio Fairness Act (IRFA) could reduce royalties paid through services like Pandora, and record labels and artists feel it will strip rights holders of income. Rabhan predicts the bill will not pass. But the debate over it will still affect the future of radio. While radio will likely always exist, the way people access it will change as wireless service becomes more widespread and networks gain more power.

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?Look for smarter recommendation-based software and more interactive and personalized experience ? a theme that will repeat itself over and over in the growth of digital media and the technological advances that accompany it.?

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This means that artists searching for exposure through radio will likely not get it unless they have a major label. And even now, ?the sea of artists found on Spotify makes a breakthrough difficult and new artists are rarely ?discovered? via recommendation-based software platforms like Pandora. Look for local radio, specialty shows, college radio and a strong, creative Internet presence to get your music out.?

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Rabhan stressed that the future for music licensing looks bright, as the opportunities for television, film and video games music placement grow. Though TV and film license fees have declined, artists are making up the loss through video games and using them to reach new audiences. ?

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Also, the Internet is getting smarter, and many outlets are creating exclusive content that can only be found online:? ?Artists can now have their songs placed on everything from a Hulu original series to a series on Netflix.?

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What will become of YouTube? It will be getting an overhaul in the next few years and add premium content and niche channels. Rabhan said, ?YouTube has the potential to become the go-to platform for building business media in the future. They aim to develop channels that are topic specific and interactive ? meaning viewers will get exactly what they want.? And the company?s investment in its future will help it form partnerships with other companies and products like Google. ?

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This means artists will need to create lists of outlets, gaming properties, shows and online networks where they can pitch music:? ?Unsigned, up-and-coming acts regularly get placements on networks programs these days and that trend is going to continue. Make music licensing a centerpiece of your story.?

Tags: AEG, Jeff Rabhan, Live Nation, live show ticketing, Music Licensing, new music industry, streaming music

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Source: http://musiciancoaching.com/music-news-2013/streaming-music-live-show-ticketing-and-music-industry-news-february-3-2013/

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Kerry makes calls abroad in first weekend on job

U.S. Sen. John Kerry acknowledges applause while addressing constituents at Faneuil Hall in Boston Thursday, Jan. 31, 2013. Kerry will step down tomorrow from the office he has held for nearly three decades to become the next secretary of state. (AP Photo/Winslow Townson)

U.S. Sen. John Kerry acknowledges applause while addressing constituents at Faneuil Hall in Boston Thursday, Jan. 31, 2013. Kerry will step down tomorrow from the office he has held for nearly three decades to become the next secretary of state. (AP Photo/Winslow Townson)

(AP) ? New Secretary of State John Kerry reached out to Israeli and Palestinian leaders in phone calls this weekend, assuring them the Obama administration will continue to pursue a Mideast peace agreement while recognizing the individual concerns on both sides.

Kerry told Israel's Prime Minister Benjamin Netanyahu of his and President Barack Obama's commitment to support Israel's security and to pursue a lasting peace between Israelis and Palestinians. Netanyahu updated Kerry on his work to form a new government. They also discussed Iran and Syria, and pledged to work together closely.

Kerry commended the Israeli decision to release frozen tax revenues to the Palestinian Authority as an important step. Israel's monthly tax transfers to the Palestinians ? the result of taxes and customs duties that Israel collects on behalf of the Palestinians ? are a key element in the Palestinian government budget.

In his conversation Sunday with Palestinian President Mahmoud Abbas, Kerry said Obama "is very interested in the peace process and aware of the economic hardships of the Palestinian people," Abbas spokesman Nabel Abu Rdeneh said. Rdeneh also noted that Kerry said he would visit the region for further talks with Abbas "to preserve the political path." No time was set for the visit.

The State Department said Kerry spoke of his personal commitment to peace between Israelis and the Palestinians. Kerry pledged to continue efforts with the Congress to release budget support funds for the Palestinian Authority and noted the positive step the Israelis had taken by releasing the tax revenues.

The department also said Kerry spoke with Israeli President Shimon Peres on Saturday about the formation of the country's new government, and said the two "exchanged views" on the peace process and regional matters.

On a busy first weekend as America's top diplomat, Kerry also:

?Talked with Japanese Foreign Minister Fumio Kishida and agreed to work closely together to prepare for the visit of Japanese Prime Minister Shinzo Abe to Washington later this month. He thanked Kishida for the role Japan plays in Afghanistan, Burma and in support of the Syrian opposition.

?Talked with South Korean Foreign Minister Kim Sung-hwan and agreed on the need to ensure that North Korea understands that it will face significant consequences from the international community if it continues its provocative behavior.

?Got an update from Turkey's foreign minister, Ahmet Davutoglu, about the investigation into Friday's suicide bombing at the U.S. Embassy in Ankara.

?Spoke with Canadian Foreign Minister John Baird about Iran, Mali and the proposed Keystone XL pipeline that would run from Canada to Texas.

?Spoke with Mexico's foreign minister, Jose Antonio Meade, about the deadly blast at the headquarters of Mexico's state-owned oil company.

?Had lunch with George Shultz, secretary of state under President Ronald Reagan.

Kerry was sworn in Friday afternoon, succeeding Hillary Rodham Clinton in Obama's Cabinet.

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Associated Press writer Mohammed Daraghmeh in Ramallah, West Bank, contributed to this report.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/cae69a7523db45408eeb2b3a98c0c9c5/Article_2013-02-03-Kerry/id-2c16e70523044632a43979dded406be4

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Monday, February 4, 2013

Myanmar starts peace talks with top Kachin leaders in China

YANGON (Reuters) - Myanmar's government started talks with top commanders of the Kachin Independence Army (KIA) rebel group in China on Monday to try to rescue a faltering peace process and end one of the country's bloodiest ethnic conflicts.

The meeting in Ruili, just inside Chinese territory, was aimed at laying the foundation for further negotiations after 11 rounds of talks in which both sides failed to make any breakthrough, according to sources on both sides, who declined to be identified because of the sensitivity of the issue.

The talks come off the back of an unprecedented escalation in a conflict in which the military has been accused of using excessive force, discrediting a government lauded for its broad reforms and initiating a nationwide peace drive.

The fighting has displaced tens of thousands of people since it broke out anew in June 2011, when a 17-year truce collapsed. The number of casualties is not known.

The KIA are fighting for autonomy for Kachin state within a federal Myanmar. The rulers of ethnically diverse Myanmar have long ruled out calls for autonomy from the Kachin and other minority groups.

The government sent its top negotiator Aung Min, a minister in the office of President Thein Sein, to Monday's meeting, which was also attended by the second-in-command of the KIA, General Gun Maw.

Gun Maw's no-show at talks in October was taken as a slap in the face for top generals in Myanmar's army, whom Thein Sein had worked hard to convince to attend, according to two sources with knowledge of the issue.

"The significance of today's meeting is General Gun Maw was present," one of the sources told Reuters by telephone.

Truces with ethnic minority rebel groups, some of which have fought central governments since the end of British colonial rule in 1948, were among a series of reforms that led to the suspension last year of most Western sanctions on Myanmar. The KIA is the only group that has yet to agree to a ceasefire.

COMPLEX TALKS

The conflict was thrust into the domestic and international spotlight when Myanmar's military admitted in December to using jets for air strikes to thwart what it said was KIA aggression.

Witnesses and activists say helicopter gunships were also deployed against the KIA, which is one of the strongest rebel armies in Myanmar and has its own munitions factories.

Retired general Thein Sein has been praised for reaching out and striking ceasefires with various groups including the Karen National Union (KNU), which had been fighting for autonomy for Karen state along the border with Thailand for 60 years.

But the heavy fighting in Kachin state has raised doubts about his ability to control the military, which ruled Myanmar from 1962-2011.

He repeatedly made public calls for troops not to launch offensives, but fighting has not stopped. The government says it wants peace.

Although Monday's talks could build some trust and reduce tensions, a lasting truce could be hard to come by and would require at least one party to soften its stance.

The government wants a ceasefire agreement signed before any long-term political deal is discussed, but the KIA, which harbors deep distrust of the military, wants a concrete proposal to be made before it signs a truce.

The sources close to Monday's meeting said representatives of the KNU also attended as a means of building confidence.

A deal with the KIA would allow the government to start political negotiations, which are expected to be highly complex. It has given no indication as to how it will bring groups that have sought autonomy into the political fold and what guarantees and inducements would be offered.

(Reporting by Aung Hla Tun; Writing by Martin Petty; Editing by Robert Birsel)

Source: http://news.yahoo.com/myanmar-starts-peace-talks-top-kachin-leaders-china-081313572.html

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Samsung Galaxy Exhibit leaked - T-Mobile gets a Galaxy S3 Mini

Android Central

The Samsung Galaxy S3 Mini is already available internationally, and we've also started to see variants like the Galaxy Express on AT&T and Galaxy Axiom on US Cellular. So it's natural that we might see other versions of Samsung's diminutive handset on rival carriers, and today brings the first evidence that such a device could be headed to T-Mobile USA.

The image above, obtained by UnwiredView through notorious Twitter leaker @evleaks claims to show T-Mobile's Samsung Galaxy Exhibit. If the name sounds familiar, it's because T-Mo launched the Galaxy Exhibit 4G a couple of years back. According to @evleaks, the new Galaxy Exhibit (SGH-T599) looks set to offer a dual-core CPU, a WVGA display and 5MP camera, with release due before the end of the quarter. The specs aren't earth-shattering, and there's no information on cost yet, but it should make a solid addition to T-Mo's line-up if it's priced appropriately.

Source: UnwiredView



Source: http://feedproxy.google.com/~r/androidcentral/~3/KybmZNG3W1U/story01.htm

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